Another 24 hours and all our supermoon stories and exchanges will just be another footnote to 2012, moments seized, enjoyed, recorded and then committed to the archives in our minds. This, then, is what I will file away.
We meet at the appointed hour 19.30. The intention is to suss out the best spot and then retire to eat or drink until well before the due time of 21.15 to stake our claim. The early evening is balmy and calm,unusual for this stretch of coast. This is my home turf. It will not be the first time I’ve photographed the moon rising out of the ocean from the sand dunes at the end of my street, but it’s a first time in this spot for Maria and Colleen, and I think they like what they see. There are rocks and sand dunes and junipers, all perfect for framing photos. I think they like the gelato from my favorite ice cream parlor too! We sit by the little harbor and savor the pleasure. They are finger-licking good.
We rouse ourselves and saunter back along the beachside road, chatting companionably and not at all hurried. We step onto the beach, and it’s then I draw a sharp breath. In the lavender and rose twilight sky the moon is already there, and well on its way to the heights.
One of the odd things about living in the Canary Islands is that we are in the same time zone as the UK, an hour behind the Spanish peninsula and most of Europe. The thing is that most information on tv and internet fails to mention this. We had failed to deduct the hour, the “una hora menos en Canarias,” as the ones which do bother to differentiate, say.
I fall to my knees on the nearest dune and fumble my camera out of its bag. The closer to the horizon the bigger the moon seems to be, we missed its hugeness, but it is, nevertheless, quite breathtaking. The colors are gentle pastels. It isn’t yet dark. Its progress is slow, so we get lots of snaps anyway. Then Colleen suggests going a little up the coast to La Tejita, to see it rising over Montaña Roja, so we trot, quicker now, to her car, which is the nearest, and turn for a couple of last shots over the beachfront wall, as darkness descends and paints the world in other shades.
La Tejita is one of my favorite places on the island, but I know that without a tripod my pictures won’t amount to much, so I spend more time simply inhaling the scene than snapping. The ones I do get are noisy and dark. I have to max the ISO in the absence of a stable tripod, but the effects are a bit unusual.
There is a yacht anchored in the shelter of the mountain, and out at sea there is a string of fishing boats, twinkling like the proverbial diamonds on velvet.
I have no idea what produces that shaft of light, grease on the lens perhaps? But it looks effective. It’s enough. Sometimes in the snapping you don’t have time to take it all in, so perhaps my lack of tripod is no bad thing tonight.
Happy and fulfilled, we retire to what is one of my local bars to admire in comfort and sip mojitos.
The next night, yesterday, finds Maria and I a bit further down the beach, a part which is more rocky and a bit wilder, though it’s bounded by hotels and apartment blocks, you still feel closer to the ocean. This night, of course, we know the time, and we make our way down to the shore as darkness falls. Tonight there is a breeze as usual, and along the horizon a skein of deep purple cloud hovers, but doesn’t touch the ocean. There is a line of light, and we hope that we will see the moon rising before it disappears into the clouds. In the meantime, there are diverting images, as the sun sets way behind us, its crimson is reflected onto the thick, dark clouds, and that reflected light, in turn, is reflected onto the muddy sand, turning it lilac and moody.
The wet beach is a gift of reflections and images, even the ugly hotel on its edge looks pretty, as its lights flicker on and are echoed, and a girl appears soundlessly and seemingly out of nowhere, riding her bike along the shoreline.
It’s getting darker, and the waves are creeping up the beach, the breeze is getting stronger and shearwaters are calling out to each other, their spooky, unreal cry. We talk of famous photographers who spend hours in freezing waters or mountainsides, waiting for that one, perfect shot. We begin to think that we have missed it, that in the dark we haven’t noticed that the clouds have descended to the sea and obscured our moonrise. We are about to reach for our stuff and turn tail, when a mere sliver of intense scarlet emerges, again there is a deep intake of breath and a scurrying for lenses and equipment.
Without a tripod, in this darkness I have even less hope that I did last night. It is impossible. I shoot a couple of frames, and then turn the camera off and stand in meditation. It’s a brief but intense experience. The moon will soon be hidden by the cloud, but it glows from red now to orange, and it is a huge as one expected it to be. I’m posting a couple of pictures only to give you an idea of how it was. They can’t really, but you can see what distinct experiences the two nights were.
This morning, as I walk Trixy, there is a silver shadow in the sky, which is fading as the sun’s brilliance begins to dominate the day. I rush home for the camera and return within five minutes, only to find that I took out the battery last night to charge it, and failed to put in the spare. Ah, well, as a photography experience this supermoon hasn’t been too great, but as an appreciation of this universe, it’s been pretty impressive.